<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Adorno</title>
	<atom:link href="http://jeremydenk.net/blog/2006/05/15/adorno/feed/" rel="self" type="application/rss+xml" />
	<link>http://jeremydenk.net/blog/2006/05/15/adorno/</link>
	<description>The glamorous life and thoughts of a concert pianist.</description>
	<lastBuildDate>Fri, 06 Aug 2010 06:55:43 -0500</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	
	<item>
		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/05/15/adorno/comment-page-1/#comment-2023</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Thu, 18 May 2006 04:39:09 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=363#comment-2023</guid>
		<description>As for the amazon link above, this is it. &lt;br/&gt;&lt;br/&gt;Beethoven: Die Späten Klaviersonaten &lt;br/&gt;performer: Maurizio Pollini&lt;br/&gt;&lt;br/&gt;Read the Spotlight and Customer reviews.</description>
		<content:encoded><![CDATA[<p>As for the amazon link above, this is it. </p>
<p>Beethoven: Die Späten Klaviersonaten <br />performer: Maurizio Pollini</p>
<p>Read the Spotlight and Customer reviews.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Andrew</title>
		<link>http://jeremydenk.net/blog/2006/05/15/adorno/comment-page-1/#comment-2022</link>
		<dc:creator>Andrew</dc:creator>
		<pubDate>Wed, 17 May 2006 23:21:48 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=363#comment-2022</guid>
		<description>I wonder if Adorno is making differences without a distinction. More banally, if fundamentally, I would question the premise on which his thesis is based. Its applicability to Beethoven is manifest, and also to Goethe, who is mentioned in the essay. And one can think of other artists whose late work can be said to be bitter and spiny: Goya springs to mind. But what of Bartok, Stravinsky and Brahms? And of those who died young and whose last works could be said to have been written in contemplation of death, can the same be said? I would submit that Mozart&#039;s and Schubert&#039;s works are ambivalent in this respect.&lt;br/&gt;&lt;br/&gt;By the way, do you know the source in Adorno (if one exists) of the wonderful exposition on op.111 in Mann&#039;s Dr Faustus? It is in keeping with this essay, but does not come from it.</description>
		<content:encoded><![CDATA[<p>I wonder if Adorno is making differences without a distinction. More banally, if fundamentally, I would question the premise on which his thesis is based. Its applicability to Beethoven is manifest, and also to Goethe, who is mentioned in the essay. And one can think of other artists whose late work can be said to be bitter and spiny: Goya springs to mind. But what of Bartok, Stravinsky and Brahms? And of those who died young and whose last works could be said to have been written in contemplation of death, can the same be said? I would submit that Mozart&#8217;s and Schubert&#8217;s works are ambivalent in this respect.</p>
<p>By the way, do you know the source in Adorno (if one exists) of the wonderful exposition on op.111 in Mann&#8217;s Dr Faustus? It is in keeping with this essay, but does not come from it.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Qais Al-Awqati</title>
		<link>http://jeremydenk.net/blog/2006/05/15/adorno/comment-page-1/#comment-2021</link>
		<dc:creator>Qais Al-Awqati</dc:creator>
		<pubDate>Wed, 17 May 2006 19:49:04 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=363#comment-2021</guid>
		<description>Edward Said&#039;s last book &quot;On late Style&quot; takes off from where Adorno ended; I think you would enjoy reading it, an example of Said&#039;s late style itself. In it he speculates that late style might also encompass the difficulty and anger that often accompany old age when the creative process while still or even especially fruitful faces the prospect of annihilation. He discusses Beethoven&#039;s late sontats as well.</description>
		<content:encoded><![CDATA[<p>Edward Said&#8217;s last book &#8220;On late Style&#8221; takes off from where Adorno ended; I think you would enjoy reading it, an example of Said&#8217;s late style itself. In it he speculates that late style might also encompass the difficulty and anger that often accompany old age when the creative process while still or even especially fruitful faces the prospect of annihilation. He discusses Beethoven&#8217;s late sontats as well.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: sheri</title>
		<link>http://jeremydenk.net/blog/2006/05/15/adorno/comment-page-1/#comment-2020</link>
		<dc:creator>sheri</dc:creator>
		<pubDate>Wed, 17 May 2006 18:20:05 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=363#comment-2020</guid>
		<description>Also makes me think of Paul Celan - the &quot;narrowing down&quot; of his late work.&lt;br/&gt;S.</description>
		<content:encoded><![CDATA[<p>Also makes me think of Paul Celan &#8211; the &#8220;narrowing down&#8221; of his late work.<br />S.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/05/15/adorno/comment-page-1/#comment-2019</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 17 May 2006 07:13:05 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=363#comment-2019</guid>
		<description>Some of you may be interested in.&lt;br/&gt;&lt;br/&gt;http://www.amazon.com/gp/product/B000001GXB&lt;br/&gt;/qid=1147848335/sr=1-8/&lt;br/&gt;ref=sr_1_8/&lt;br/&gt;103-2822259-5756658?s=classical&amp;v&lt;br/&gt;=glance&amp;n=5174&lt;br/&gt;&lt;br/&gt;Read the reviews.&lt;br/&gt;&lt;br/&gt;I ordered this CD last week ... am waiting for it.</description>
		<content:encoded><![CDATA[<p>Some of you may be interested in.</p>
<p><a href="http://www.amazon.com/gp/product/B000001GXB" rel="nofollow">http://www.amazon.com/gp/product/B000001GXB</a><br />/qid=1147848335/sr=1-8/<br />ref=sr_1_8/<br />103-2822259-5756658?s=classical&#038;v<br />=glance&#038;n=5174</p>
<p>Read the reviews.</p>
<p>I ordered this CD last week &#8230; am waiting for it.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/05/15/adorno/comment-page-1/#comment-2018</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 17 May 2006 02:39:13 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=363#comment-2018</guid>
		<description>O Yeah: emptiness outwards: cool, really cool.&lt;br/&gt;Late works , cool.&lt;br/&gt;Beethoven must be a cool cat.&lt;br/&gt;How do you do.&lt;br/&gt;You wright so cool.&lt;br/&gt;Acoolique.</description>
		<content:encoded><![CDATA[<p>O Yeah: emptiness outwards: cool, really cool.<br />Late works , cool.<br />Beethoven must be a cool cat.<br />How do you do.<br />You wright so cool.<br />Acoolique.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
