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	<title>Comments on: 7:37 AM, Paddington Station</title>
	<atom:link href="http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/feed/" rel="self" type="application/rss+xml" />
	<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/</link>
	<description>The glamorous life and thoughts of a concert pianist.</description>
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		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2272</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Fri, 06 Oct 2006 09:04:57 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2272</guid>
		<description>Sports Illustrated - rofl!&lt;br/&gt;Hi Sports, I hope I&#039;ll soon have the chance to hear you again playing fine Schumann chamber music with your Illustrious friends. ;-)</description>
		<content:encoded><![CDATA[<p>Sports Illustrated &#8211; rofl!<br />Hi Sports, I hope I&#8217;ll soon have the chance to hear you again playing fine Schumann chamber music with your Illustrious friends. <img src='http://jeremydenk.net/blog/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> </p>
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		<title>By: Steinwayliz</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2270</link>
		<dc:creator>Steinwayliz</dc:creator>
		<pubDate>Thu, 05 Oct 2006 00:45:40 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2270</guid>
		<description>in response to Anon 3:28pm and in Clara&#039;s defense as a pianist--everyone played shallow virtuoso pieces when she began touring, but she was also the first pianist to program Beethoven&#039;s &quot;Appassionata&quot; Sonata--at the age of 15, I think.  There is no doubt that she learned a great deal from Robert and matured musically under his influence, but I find it hard to fault her as a pianist in her day.</description>
		<content:encoded><![CDATA[<p>in response to Anon 3:28pm and in Clara&#8217;s defense as a pianist&#8211;everyone played shallow virtuoso pieces when she began touring, but she was also the first pianist to program Beethoven&#8217;s &#8220;Appassionata&#8221; Sonata&#8211;at the age of 15, I think.  There is no doubt that she learned a great deal from Robert and matured musically under his influence, but I find it hard to fault her as a pianist in her day.</p>
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		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2269</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 04 Oct 2006 19:28:47 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2269</guid>
		<description>Like anonym 7:50 am said there are many other accusations against Clara. &lt;br/&gt;One musicologist and feminist who worked on a biography on her said in an interview first she was excited about her subject but the more she worked on sources the more she found Clara to have a dislikable personality and was very glad when the work was finished.&lt;br/&gt;The biggest one is that C. treated her kids quite bad, that she cut communication - maybe she simply wasn&#039;t interested in them - at least not as much as in what she herself did on stage. &lt;br/&gt;Before her marriage she showed no hint of taste and musical reason because she preferred to play shallow virtuoso pieces to pieces with substance: she simply didn&#039;t understand them. If I had been Robert I would have been much more miffed by her ignorance. Marriage? Heaven forbid! &lt;br/&gt;But maybe she looked gorgeous or was hot in bed. &gt;sigh&lt;&lt;br/&gt;&lt;br/&gt;BTW I LOVE Eflat-Maj pianoquartet; I usually melt in the slow movement. There is also a good arrangement for two pianos by Mr Brahms.</description>
		<content:encoded><![CDATA[<p>Like anonym 7:50 am said there are many other accusations against Clara. <br />One musicologist and feminist who worked on a biography on her said in an interview first she was excited about her subject but the more she worked on sources the more she found Clara to have a dislikable personality and was very glad when the work was finished.<br />The biggest one is that C. treated her kids quite bad, that she cut communication &#8211; maybe she simply wasn&#8217;t interested in them &#8211; at least not as much as in what she herself did on stage. <br />Before her marriage she showed no hint of taste and musical reason because she preferred to play shallow virtuoso pieces to pieces with substance: she simply didn&#8217;t understand them. If I had been Robert I would have been much more miffed by her ignorance. Marriage? Heaven forbid! <br />But maybe she looked gorgeous or was hot in bed. >sigh< <br/><br />BTW I LOVE Eflat-Maj pianoquartet; I usually melt in the slow movement. There is also a good arrangement for two pianos by Mr Brahms.</p>
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		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2267</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 04 Oct 2006 16:30:56 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2267</guid>
		<description>so, bozo, is clara is this year&#039;s Swimsuit Issue?</description>
		<content:encoded><![CDATA[<p>so, bozo, is clara is this year&#8217;s Swimsuit Issue?</p>
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		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2266</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 04 Oct 2006 11:50:19 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2266</guid>
		<description>Hmmm...agreed, musically. But historically you&#039;re a little off: Clara didn&#039;t necessarily urge Schumann to write in classical forms. In fact, she tried to  discourage him from writing string quartets, for instance, because she thought he wouldn&#039;t know enough. Ironic, since in fact it was he who taught her about classical forms, far more than vice versa. Besides, he composed as he wanted - and stopped showing his music to Clara as he  got further and further into his own magical world, and flet she couldn&#039;t follow. So that&#039;s really not a valid accusation against Clara - there are many others...  Best wishes from Sports Illustrated (!)</description>
		<content:encoded><![CDATA[<p>Hmmm&#8230;agreed, musically. But historically you&#8217;re a little off: Clara didn&#8217;t necessarily urge Schumann to write in classical forms. In fact, she tried to  discourage him from writing string quartets, for instance, because she thought he wouldn&#8217;t know enough. Ironic, since in fact it was he who taught her about classical forms, far more than vice versa. Besides, he composed as he wanted &#8211; and stopped showing his music to Clara as he  got further and further into his own magical world, and flet she couldn&#8217;t follow. So that&#8217;s really not a valid accusation against Clara &#8211; there are many others&#8230;  Best wishes from Sports Illustrated (!)</p>
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		<title>By: hari</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2265</link>
		<dc:creator>hari</dc:creator>
		<pubDate>Wed, 04 Oct 2006 00:35:02 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2265</guid>
		<description>who knew rufus had so much flexibility? i love his judy garland concert recital (not impersonation) at carnegie hall.&lt;br/&gt;&lt;br/&gt;good for clara schumann, there&#039;s usually a good, strong woman behind every man&#039;s instrument.</description>
		<content:encoded><![CDATA[<p>who knew rufus had so much flexibility? i love his judy garland concert recital (not impersonation) at carnegie hall.</p>
<p>good for clara schumann, there&#8217;s usually a good, strong woman behind every man&#8217;s instrument.</p>
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		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2264</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Tue, 03 Oct 2006 23:19:56 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2264</guid>
		<description>Shubert busts his brain but I didn&#039;t know Rufus ever had anything to say about Schumann...</description>
		<content:encoded><![CDATA[<p>Shubert busts his brain but I didn&#8217;t know Rufus ever had anything to say about Schumann&#8230;</p>
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		<title>By: Anonymous</title>
		<link>http://jeremydenk.net/blog/2006/10/03/737-am-paddington-station/comment-page-1/#comment-2263</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Tue, 03 Oct 2006 18:48:52 +0000</pubDate>
		<guid isPermaLink="false">http://jeremydenk.net/blog/?p=390#comment-2263</guid>
		<description>jdenk, if bees have knees, you are it!  rufus was probably singing &quot;my phone&#039;s on vibrate for you.&quot; it sort-of-almost-quasi-inverts the opening of the third mvt tune in a finlandian sort of way, doesn&#039;t it?  maybe poor schumann would have written a tune over a latin bass, had clara been a little less noise, little more funk.&lt;br/&gt;love!&lt;br/&gt;jstumm</description>
		<content:encoded><![CDATA[<p>jdenk, if bees have knees, you are it!  rufus was probably singing &#8220;my phone&#8217;s on vibrate for you.&#8221; it sort-of-almost-quasi-inverts the opening of the third mvt tune in a finlandian sort of way, doesn&#8217;t it?  maybe poor schumann would have written a tune over a latin bass, had clara been a little less noise, little more funk.<br />love!<br />jstumm</p>
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